October 7, 2007
Christie’s is using a variety of techniques to get the paintings out of Europe and over to the unquenchable NY market. Recently, that has meant fronting legal fees for WWII-era restitution claims. But now we hear of a new method, which we might call accidental-but-actually-intentional smuggling.
The case centers around an oil sketch of The Hunt of Meleager and Atalanta by Rubens. The picture was the star lot in Christie’s old master sale in London in December of 2005, going for £3,144,000. The Art Newspaper reports that name of the buyer has not emerged, but he is understood to be a private collector from the New York area. Read the rest of this entry »
October 1, 2007
Um…didn’t anyone notice the spectacular irony in this?!! Leonard Lauder, older brother of “Restitution” Ronald, is now having his own Klimt demanded back from him. Better yet, the piece was sold to Leonard by Ronald’s long time mentor Serge Sabarsky. It was Sabarsky’s idea to persuade Ronald to open the Neue Galerie back in 1996, soon before he died. He is now immortalized with over-priced Sacher Torte at the museum’s Cafe Sabarsky. We also witness the re-emergence Shoah-Chaser Randol E. Schoenberg (you know, grandson of 12-tone Arnold), but this time, instead of helping the Lauders acquire Klimts, he’s shaking them down for one they already own. And even with all this fabulous Viennese Secession Incest that’s really not the story here.
No folks, what is really big news here is that now the THE DECIDER can decide about the provenance of a painter’s oeuvre. This may sound like a minor development, but if Schoenberg’s strategy works it could place certain anointed art historians (basically those who write the catalogue raisonne for a given painter) in position to pass judgments worth millions of dollars. Alfred Weidinger has tred into this uncharted territory with his compendium of Klimt’s entire oeuvre.
Just look at this case, for example. Klimt painted Blooming Meadows around 1904-5
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